Our Story
Mahogany Opera Group is a leading commissioner and producer of new opera and music theatre. We work across the UK and internationally. Our vision of opera as an inclusive, collaborative, and dynamic artform informs our aim to stretch the boundaries of what opera can be and who it's for.
Through our work, we aim to:
• Share the power and joy of live music and theatre widely, demonstrating that opera can be relevant to and reflective of people’s lives
• Show that everyone is an artist with the potential to play a creative role in making and performing new opera
• Give children and adults the opportunity to experience opera in inclusive environments
• Support diverse artists to develop their practice, spark new connections and create work on their own terms
• Present new work which reflects and amplifies different perspectives and a multiplicity of voices
We achieve our aims through three interlinked programmes of work:
New Works encompasses the wide range of work we develop, commission and produce for performance. This activity enables us to partner with artists at all stages of their careers, and in partnership with a wide range of organisations. Whether acting as lead commissioner or supporting others' visions through partnerships or consultancy, our approach to creating new work is deeply collaborative, offering shared agency throughout the process to everyone involved, with thorough periods of research and reflection. Our productions have been performed across the UK and internationally at various venues and festivals including the Barbican, Copenhagen Opera Festival, Elbphilharmonie (Hamburg), Universal Hall (Findhorn), Borealis Festival (Bergen) and Edinburgh International Festival. Since 2014, we have created 11 new productions and toured them extensively, earning numerous accolades and awards for our boundary-pushing and inclusive work.
Snappy Operas is our award-winning participatory schools programme, making and performing new mini-operas with primary-aged children in communities across the UK and internationally. We've commissioned 14 Snappy Operas which have been created by primary school children alongside leading composers and writers, and performed by over 4,500 young people in over 100 schools. Through this programme we deliver in-school activity, teacher training and public performances, and we're developing our expertise in co-creating work with disabled children in specialist schools.
Meet Me @Mahogany is our invitation to explore, (un)learn and open up the process of making new work, focusing on public discussions and events (online and in-person), participatory workshops, training, research and collaborations with other arts organisations and higher education. These activities are interwoven with our other delivery strands, as we take learning from the work we produce and inform that work with the ideas developed through Meet Me @Mahogany.
Why Mahogany?
Mahogany Opera was founded on principles inspired by the opera The Rise and Fall of the City of Mahagonny by Kurt Weill and Bertholt Brecht. The intention of the opera was to change society and innovate the form of opera. Brecht’s accompanying note to Mahagonny was written in 1930 but still feels pertinent today. All too often, notes Brecht, opera strives to democratise without altering democracy’s fundamental character; i.e. giving people new rights but not the means to appreciate them. Brecht acknowledged the irony of critiquing opera by means of an opera – and Mahagonny is unashamedly an opera, full of all that Brecht wanted to criticise. The conclusion we take is that real change has to come from within. At times, this might seem like we’re cutting the branch we’re sitting on – yet we do so in the hope not of changing the existing system but of creating a new model of working that makes the old system obsolete.
O moon of Alabama, it’s time to say goodbye – We’ve lost our dear old Mama, And must have whisky oh you know why…
Mahogany Opera was founded in Edinburgh on 1 January 2003. Mahogany is an anagram of Hogmanay and it is with that spirit that we bring people together as friends for each performance or event to reflect on our shared experiences and look together into the dawning of a new future with hope.
And there’s a hand my trusty friend! And give me a hand o’thine! And we’ll take a right good will draught, for auld lang syne.
The Backstory
Mahogany Opera was founded in 2003 by Frederic Wake-Walker and The Opera Group was founded in 1997 by John Fulljames. In 2014, the companies merged to become Mahogany Opera Group with Frederic Wake-Walker as artistic director. Previously, Mahogany Opera had produced extant work in site-specific spaces – most notably the Church Parables in the Hermitage, St Petersburg as part of the Britten Centenary and Russian Tales; Renard by Stravinsky and The Bear by Walton at the Village Underground, Shoreditch. The Opera Group was resident company at the Young Vic from 2008-2011 and commissioned and toured many new chamber operas across the UK and internationally. The Enchanted Pig by Jonathan Dove and The Firework-Maker’s Daughter by David Bruce both had extensive runs at the Linbury Studio ROH. Kurt Weill’s Street Scene won the Evening Standard Award when it opened at the Young Vic and went on to tour to the Chatelet, Paris and the Liceu, Barcelona.
Core Supporters
We are grateful to the following trusts and foundations for their core funding, which supports the ongoing delivery of our mission and the resilience of our organisation.
