Mahogany Opera Group is a leading commissioner and producer of new opera and music theatre. Since 2014, we have created 19 new commissions and toured them extensively across the UK and internationally, receiving many accolades and awards for our boundary-pushing and inclusive work. The company’s vision and artistic programme is defined by Artistic Director Frederic Wake-Walker together with a broad range of artists, collaborators and creative partners from international festivals, regional venues, music education hubs, universities and orchestral ensembles.
Our ten-minute Snappy Operas have been developed with and performed by primary school children alongside professional artists. The Snappy Opera programme delivers in-school activity, teacher training and public performances in communities across the UK.
Various Stages is our Research & Development programme of open calls, workshops, public showcases, discussions, feedback sessions and mentoring support. It has been a platform for the creative development of over a hundred artists in the last six years.
Beyond the work itself, Mahogany Opera is a creative space for the development of new ideas and the sparking of new connections – a place where people can encounter music and theatre for the first time, where artists can forge new creative relationships and where time is given for research, reflection and discussion. Our approach is deeply collaborative and defined by people – by a belief that everyone involved has a creative role to play and that includes, crucially, the audience.
The Mahogany Opera team is based in London, Huddersfield, Glasgow and Berlin, giving us a unique perspective when creating work and building partnerships.
Mahogany Opera was founded on principles inspired by the opera The Rise and Fall of the City of Mahagonny by Kurt Weill and Berthold Brecht. The intention of the opera was to change society and innovate the form of opera. Brecht’s accompanying note to Mahagonny (which you can read in full here) was written in 1930 but still feels pertinent today. All too often, notes Brecht, opera strives to democratise without altering democracy’s fundamental character. ie giving people new rights but not the means to appreciate them. Brecht acknowledged the irony of critiquing opera by means of an opera – and Mahagonny is unashamedly an opera, full of all that Brecht wanted to criticise. The conclusion we take is that real change has to come from within. At times, this might seem like we’re cutting the branch we’re sitting on – yet we do so in the hope not of changing the existing system but of creating a new model of working that makes the old system obsolete.
O moon of Alabama, it’s time to say goodbye – We’ve lost our dear old Mama, And must have whisky oh you know why…
Mahogany Opera was founded in Edinburgh on 1 January 2003. Mahogany is an anagram of Hogmanay and it is with that spirit that we bring people together as friends for each performance or event to reflect on our shared experiences and look together into the dawning of a new future with hope.
And there’s a hand my trusty friend! And give me a hand o’thine! And we’ll take a right good will draught, for auld lang syne.
Mahogany Opera was founded in 2003 by Frederic Wake-Walker and The Opera Group was founded in 1997 by John Fulljames. In 2014, the companies merged to become Mahogany Opera Group with Frederic Wake-Walker as artistic director. Previously, Mahogany Opera had produced extant work in site-specific spaces – most notably the Church Parables in the Hermitage, St Petersburg as part of the Britten Centenary and Russian Tales; Renard by Stravinsky and The Bear by Walton at the Village Underground, Shoreditch. The Opera Group was resident company at the Young Vic from 2008-2011 and commissioned and toured many new chamber operas across the UK and internationally. The Enchanted Pig by Jonathan Dove and The Firework-Maker’s Daughter by David Bruce both had extensive runs at the Linbury Studio ROH. Kurt Weill’s Street Scene won the Evening Standard Award when it opened at the Young Vic and went on to tour to the Chatelet, Paris and the Liceu, Barcelona.